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| Sugar Minott |
Lincoln “Sugar” Minott is undoubtedly one of the elders of Jamaican popular music. A veteran of 30 years, Sugar is a significant figure in the formation of the music in the post ska/rocksteady and reggae eras.
Sugar Minott began his remarkable musical career back in 1969 with a group known as the African Brothers.
African Brothers also included Tony Tuff and Derrick Howard who later became a producer. The group recorded with some of the day’s top producers including Clement ‘Coxsone’ Dodd, Rupie Edwards and Winston Blake of Merritone fame, however they had no success and later split to see if solo careers would bring the badly sought after success.
Sugar linked up with Sir Coxsone in 1974 and began a very successful collabaration which brought back some of the prestige of Studio One. Studio One had by then lost a lot of its sting due to the departure of giants such as Ken Boothe, John Holt, Alton Ellis and Bob Andy.
Big hits for Studio One include Vanity, which revived the I’m Just a Guy rhythm, and the very witty Mr. D.C., done on the Pressure and Slide rhythms. Sugar Minott’s first album was called Live Loving.
In 1979 he left Studio One to form his own label, following in the footsteps of Reggae stars Big Youth and Gregory Isaacs. The label was called Black Roots, which later evolved into Youthman Promotions. During this time Sugar Minott produced such monster hits as River Jordan, Ruff Ole Life, and Dancehall Stylee.
However, at the same time, he was recording for other top producers such as Sly and Robbie, Niney Holness, George Phang, King Jammys and Hawkeye. His hits included No Vacancy, Herbman Hustling, Lovers Race, Devil Pickney, Tune In, Every Little Thing and Riddim. It was also during this period that Sugar was very instrumental in giving birth to the dancehall phenomenon.
Youthman Promotion has the distinction of starting the first dancehall crew, a phenomenon which has been emulated time and time again. The Youthman crew included Yami Bolo, Michael Palmer, Junior Reid, Garnett Silk, Andi Livingston, Shalome (then known as Steve Harper), Nitty Gritty and Tenor Saw. Among his production team were Nabbie Dread and Maxine Stowe (his love interest).
These artistes honed their talents at Youthman Promotion under the guidance of Sugar, and showcased their talent alongside a popular sound system of the same name - Youthman Promotion, which was also owned by Sugar Minott and was used to promote the stable of artistes.
The sound system was one of three sounds which participated in another first for the dancehall - the first ever sound-clash. The landmark clash was held at Cinema II in New Kingston. The other two sounds were King Jammys and Black Scorpio.
Youthman Promotion with its battalion of young artistes led by Sugar Minott, crushed all opposition and took home the crown. This was the beginning of a trend, which has made clashing an artform with famous encounters, which are talked about even today.
During this period Sugar made two very important songs - Dancehall Stylee and Dancehall We Deh, the latter produced by veteran DJ Jah Thomas. The songs became Dancehall, which at that time still meant the venue where the dance was held. Famous dancehalls were Foresters Hall, Success Club and Glass Bucket.
The naming of that genre of music as dancehall music came about in 1984 when a popular promotions company called Inner City Promotions started a concert series that featured artistes who were popular in the dancehall but were mainly played by sound systems.
Mike Tomlinson and Lois Grant called the series Dancehall. The first concert took place at Harbour View Drive-In but was later transferred to Cinema II. Sugar’s song Dancehall We Deh was the theme song for the series.
After this, the word dancehall took on a new meaning and has developed into what we now regard as simply dancehall.
Minott was not only a master of the dancehall but he was a brilliant lovers-rock singer, in fact his biggest hit was a remake of the Jackson Five’s Good Thing Going, which did a stint on the British charts. Whether it was protest, satire, dancehall vibes or love, Sugar dealt with it with consummate ease, and is one of the few artistes who have had a major hit in every country where reggae is popular.
He has toured England and the United States and was one of the first reggae acts to tour Japan. In fact, his impact in Japan was so tremendous that he played a critical role in establishing Reggae in Japan. After over 60 albums and thousands of singles, Sugar Minott can be referred to as one of the fathers of the dancehall phenomenon and one of Jamaica’s most versatile and prolific singers.
©
Copyright 2004 Reggaetimes.com
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